Daisy is still a magnificent heroine and Miss Krantz's writing still commands my attention until the last page. I still love this book and it has held up half a lifetime later. And if we customers don't take the trouble to distinguish between good and bad rubbish, you know exactly what kind we will get in future. All of these years later I decided I needed some major glam fantasy to escape to during our crazy coronavirus days and decided to revisit Judith Krantz and Jackie Collins. But it also has a strong, closely packed story line, with the kind of fairy tale elements-the mirror image twin, the evil step-relation-that can remind you of childhood frissons and it has characters in place of those perambulating coat hangers we had last week. It has all the same, essential mini-series requirements: vulgar opulence, beautiful people, international locations, the lot. Richard Corliss wrote of the miniseries, "Not even trash can guarantee the happy ending, and, alas, it happened to Jane Doe: Princess Daisy proved a small screen bust." However, The Guardian was more positive while it criticized the acting, it concluded, "Despite all that, Princess Daisy is much better quality kitsch than Lace.
The girl is forced to take care of her life herself, especially when her half-brother starts seeing in her more than just a sister. When Daisy turns 16, their father dies in a plane accident. Unfortunately, Daisy is immediately separated from her twin sister Dani, who is a special needs child not accepted by their father. Princess Daisy tells the story of a young girl who is sent to England to live with her father, Prince Valensky, after her mother's death in a car crash. Princess Daisy is a 1983 American television miniseries directed by Waris Hussein, based on the 1980 novel of the same name by Judith Krantz.
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